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Ranging from Walt Whitman’s fascination with the daguerreotype, through documentary photo-texts to graphic novels and the Black Lives Matter movement, this course explores the connections and interactions between the written word and the visual image in American literature and culture, with an emphasis on innovation and experimentation. Providing both a historical and conceptual approach to the subject, the course engages with movements and practices key to the exploration of American culture and identity, in which verbal and visual representations work in relation or collaboration. There is no expectation that students will have a background in visual studies; they will learn skills necessary to the interpretation of visual culture throughout the course.
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